in Italy. He created his earliest works in a forest outside Garessio in 1968. He marked his presence there with an iron hand gripping a tree trunk; trees pierced by nails and laced with metal
wire; and a plaster slab measuring his width and height and the depth
of a brook. A member of the Arte Povera group, he continued throughout his career to explore the connections between natural and cultural forms.
In the early 1970s Penone used his body as his principal subject, projecting images drawn from the surface of his skin on to plaster casts of his face or on to wall surfaces. In 1975, after uncovering an
ancient vase with its maker's fingerprints still intact, he continued
this procedure of transferring images from one surface to another,
creating a series of bronze vessels that mingled his own fingerprints
with those from the past. Vessels, fingerprints and body images
reappeared in a variety of forms and combinations in other work from
this decade, along with vegetables grown into the shape of the artist's
face and cast into bronze. In the 1980s he added large agricultural tools made of
metal, terracotta and wood to his stockpile of images, reaffirming his
interest in forms that link man to the natural world.