GIUSEPPE PENONE (1947, Garessio, Italy)
He created his earliest works in a forest outside Garessio in 1968. He marked his presence there with an iron hand gripping a tree trunk; trees pierced by nails and laced with metal wire; and a plaster slab measuring his width and height and the depth of a brook. A member of the Arte Povera group, he continued throughout his career to explore the connections between natural and cultural forms. In the early 1970s Penone used his body as his principal subject, projecting images drawn from the surface of his skin on to plaster casts of his face or on to wall surfaces. In 1975, after uncovering an ancient vase with its maker's fingerprints still intact, he continued this procedure of transferring images from one surface to another, creating a series of bronze vessels that mingled his own fingerprints with those from the past. Vessels, fingerprints and body images reappeared in a variety of forms and combinations in other work from this decade, along with vegetables grown into the shape of the artist's face and cast into bronze. In the 1980s he added large agricultural tools made of metal, terracotta and wood to his stockpile of images, reaffirming his interest in forms that link man to the natural world.
2010 "Personal Structures Time-Space-Existence", Kuenstlerhaus Bregenz, Austria.
• De Jongh, Karlyn, Simple Things and Natural Actions: A Conversation with Giuseppe Penone. In: Sculpture Vol. 30, no. 2, USA, March 2011
• De Jongh, Karlyn, GIUSEPPE PENONE’S ‘NELLE MANI - IN THE HANDS’ in De Pont, Tilburg (NL). In: <H>ART International #68, June 2010
• Lodermeyer, Peter, Karlyn De Jongh & Sarah Gold, PERSONAL STRUCTURES: TIME SPACE EXISTENCE, DuMont Verlag, Cologne, Germany, 2009